enrique marty
enrique marty
The installation, which reproduces a fairground, is divided into two main spaces, an exterior and an interior one. The interior space starts at a cinema where the viewer, after crossing through the screen, enters an intricate labyrinth of corridors and rooms to then come out to the “exterior” space. The fairground is a perfect symbol for the futility of earthly life and the transient nature of earthly things and quests, a vanitas. Behind the merry lights and colours, the spider-webs are hiding…
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· Flaschengeist, La caseta del Alemán, MUSAC, León, España (2005)